
But I’ll say this: I don’t know how you do it, Art Critic. Go to all these highfalutin things and then make some intelligent comment about it.
I am the lowest common denominator media consumer. I am intimidated at musicals, dances, operas, theater and the like, where artsy peopleâ€â€and why do they all wear tortoise shell glasses?â€â€are using words like Intense Performance, Revelatory Dance Moves, and Ebullient Ending.
I don’t pretend to enjoy theater. Unless it makes me laugh.
I don’t know about ballet either. Unless it makes me laugh.
I certainly have mixed feelings about opera. Unless it makes me laugh.
Whatever Back to the Present was, it wasn’t dance, theater, ballet or anything, really.
It was just, erm, everything.
Thanks to Peter who sent an intriguing email that had me at “inflatable sheep,” I was convinced to check out the show.
There was the sheep all right, about a million stuffed animals, lots of falling down, renditions of 80s hits, choreographed jumping on a giant beanbag, a striptease and a 27-second Armageddon-style mass nakedness at the end of it all.
I don’t care what the critics called it, some things are not to be made sense of. In my book, that was a WTF.
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